![]() ![]() I made my way to Flosso-Hornmann Magic Co., near Herald Square, founded in 1856 and once owned by Harry Houdini. But as for the question that percolated through the entranced crowd like a mantra - "How did he do that? - I was clueless.Įxperts might tell. ![]() Presto! A real crimson rose.Īll of this coalesced in my mind as a splendiferous blur, the precise intention. People gasped when the magician folded tissue paper into the form of a rose and made it dance a jig. Almost before you could say hocus pocus, a beautiful woman in a red dress was made to evaporate, only to reappear instantly exactly where we thought Copperfield was.Ĭlose-up prestidigitations were projected on a screen. Poof! The star materialized in a suspended elevator. A little girl asked her mother if Copperfield would turn her into a rabbit. "Anybody figured anything out yet," a man said 20 minutes before the start. How does the man who seemed to make the Statue of Liberty disappear do it? Merlin's velvety values, deception and secretiveness, will be tested against a journalist's commitment to literal truth.At least this odd job got me in to the hottest show on Broadway, three times as it turned out. My assignment is to find the truth behind the swirling smoke, a path I fear could lead to the essence of magic itself. By Sunday, when "Dreams and Nightmares" ends its run, they will have paid more than $6 million to see David Copperfield perform, making his five weeks there the most lucrative in the history of Broadway. Two or three times a day, people fill each of the 1,282 seats of the Martin Beck Theater. ![]()
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